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Spiritillo Mediterraneo | Pentatone PTC5187582

Spiritillo Mediterraneo

£14.26 £11.41

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Label: Pentatone

Cat No: PTC5187582

Barcode: 8717306265829

Format: CD

Number of Discs: 1

Genre: Chamber

Release Date: 1st May 2026

Contents

Works

Biber, Heinrich Ignaz Franz

Violin Sonata no.5 in E minor

Falconieri, Andrea

Il primo libro di canzone
» no.46 Brando dicho el Melo
» no.47 Corriente dicha la Cuella
» no.51 Il Spiritillo Brando
» no.54 La suave melodia

Matteis the Elder, Nicola

Ayres for the Violin
» Adagio in A minor
» Allegro. Preludio prestissimo
» Aria. Adagio in C minor
» Aria burlesca
» Aria in D minor
» Aria malinconica
» Aria ridicola
» Diverse Bizarrie sopra la vecchia Sarabanda o pur Ciaccona
» Giga. Al genio Turchesco
» Ground in E major
» Passaggio rotto. Andamento veloce
» Preludio in A minor
» Sarabanda amorosa
» Un poco di maniera Italiana

Murcia, Santiago de

Fandango (arr. Cristina Prats Costa)

Nebra, Jose de

Seguidillas (arr. Cristina Prats Costa)

Rebel, Jean-Fery

Violin Sonata no.7 in G minor
» Sarabande

Sanz, Gaspar

Espanoleta (arr. Cristina Prats Costa)

Striggio, Alessandro

Nasce la pena mia (arr. Johann Schop)

Vivaldi, Antonio

Violin Concerto in D major, RV208 'Il Grosso Mogul'
» II Grave recitativo

Artists

Cristina Prats Costa (violin)
Lucas Harris (archlute / theorbo / baroque guitar)
Charlotte Nediger (harpsichord)
Michael Unterman (cello)
Joseph Phillips (viola da gamba / double bass)
Naghmeh Farahmand (percussion)
Esmeralda Enrique (castanets)

Works

Biber, Heinrich Ignaz Franz

Violin Sonata no.5 in E minor

Falconieri, Andrea

Il primo libro di canzone
» no.46 Brando dicho el Melo
» no.47 Corriente dicha la Cuella
» no.51 Il Spiritillo Brando
» no.54 La suave melodia

Matteis the Elder, Nicola

Ayres for the Violin
» Adagio in A minor
» Allegro. Preludio prestissimo
» Aria. Adagio in C minor
» Aria burlesca
» Aria in D minor
» Aria malinconica
» Aria ridicola
» Diverse Bizarrie sopra la vecchia Sarabanda o pur Ciaccona
» Giga. Al genio Turchesco
» Ground in E major
» Passaggio rotto. Andamento veloce
» Preludio in A minor
» Sarabanda amorosa
» Un poco di maniera Italiana

Murcia, Santiago de

Fandango (arr. Cristina Prats Costa)

Nebra, Jose de

Seguidillas (arr. Cristina Prats Costa)

Rebel, Jean-Fery

Violin Sonata no.7 in G minor
» Sarabande

Sanz, Gaspar

Espanoleta (arr. Cristina Prats Costa)

Striggio, Alessandro

Nasce la pena mia (arr. Johann Schop)

Vivaldi, Antonio

Violin Concerto in D major, RV208 'Il Grosso Mogul'
» II Grave recitativo

Artists

Cristina Prats Costa (violin)
Lucas Harris (archlute / theorbo / baroque guitar)
Charlotte Nediger (harpsichord)
Michael Unterman (cello)
Joseph Phillips (viola da gamba / double bass)
Naghmeh Farahmand (percussion)
Esmeralda Enrique (castanets)

About

Violinist Cristina Prats Costa makes her solo recording debut with Spiritillo Mediterraneo, a vibrant portrait of the sound world of 17th- and early 18th-century music shaped by the cultures of the Mediterranean. Inspired by Andrea Falconieri's Il Spiritillo Brando, the album takes the spiritillo – a mischievous, animating sprite – as a metaphor for the Baroque imagination: a realm of invention, improvisation, and richly ornamented dialogue. The Mediterranean emerges here not as a boundary but as a crossroads, where Italian virtuosity, Spanish rhythmic fire, and French elegance converge. Music by Falconieri, Matteis, Sanz, Murcia, Nebra, Biber, Rebel, and Vivaldi reflects these exchanges, vividly coloured by the use of castanets, which add an unmistakable Iberian rhythmic vitality. The Spanish pieces appear in Cristina Prats Costa's own arrangements, further personalising the album's musical journey. Deeply personal in conception, Spiritillo Mediterraneo also reflects Cristina Prats Costa's own artistic journey. Rooted in her Spanish heritage and shaped by years of performing across Europe, North and South America, and Asia, the album places ornamentation at its expressive core – not as decoration, but as storytelling. Drawing on Italian brilliance, French refinement, and the earthy pulse of Spanish dance and guitar traditions, these interpretations balance historical insight with an individual voice. The result is a recording of rhythmic energy, intimacy, and colour, guided by a spirit that is curious, agile, and alive.

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